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In this essay, Algerian writer and researcher Hanaa Khadraoui explores the crossroads of Arab literature, translation, identity, and representation. She asks a timely question: who gets to shape how Arab stories are seen, remembered, and understood by the wider world?
In Morocco, a taxi is more than a way to get from A to B. From colour-coded city cars to the legendary Mercedes-Benz “Merci dix,” discover the unwritten rules, shared journeys, and cultural stories behind Morocco’s unique taxi system.
In this edition of Dear Diary, Sofia A writes about surviving war, losing love, losing work, and the strange guilt of wanting to be happy while the world keeps falling apart.
After years of postponing her life for a “better time,” it took a hairdryer, a trip to Kite Beach, and a box of forgotten oil pastels to make her realize: maybe there will never be a right time.
And maybe that’s exactly why we should stop waiting.
In this Dear Diary entry, our narrator wakes up at 4:30 in the morning and decides to see the world at dawn, without her phone, without a plan, and perhaps without realizing that she is really trying to escape her own thoughts.
In this Dear Diary entry, Aisha Esmaeilzadeh reflects on an ordinary evening by the water in the UAE, and why it became a memory she would eventually understand the importance of.
No celebration. No milestone. Nothing worth remembering, or so it seemed.
But years later, she finds herself thinking about the fading sunlight, the skyline in the distance, the silence between people she loves, and all the ordinary moments we never realize we are going to miss.
Maybe the moments that matter most are the ones we almost forget to photograph.
For more than forty years, Hussain Ali Al Khawaldi served Arabic coffee from the same small stand on Dubai’s Naif Street. Through his photograph, Aisha Esmaeilzadeh reflects on the quiet rituals, familiar faces, and everyday moments that make a city feel like home — and what remains when those places disappear.
Before tattoos became a form of self-expression, they could tell a person’s story-- their tribe, their marriage, their beliefs, and the world they belonged to. From the blue-green markings of Iraqi women to the disappearing tattoos of Amazigh communities, explore the ancient art of daqq and the generations of memory held in the skin.
Contributor Shania Cavalida takes us on a quiet walk through Al Jaddaf before sunrise. Through the unnoticed sounds of birds beneath the Garhoud Bridge, empty buses, creek waters, and the slow arrival of dawn, this story asks us: How is stillness found in a city that is constantly in a rush?
From his Sharjah studio, Antoine Deeb reflects on the questions that shape his practice. On authorship, uncertainty, and the patience required to grow into the artist he is becoming.
“It’s definitely another kind of confinement that which we are having in Lebanon. We are seeing the decline of the state on all levels, and we can feel that quarantine and the current political situation are very much interrelated; one is serving the other in a way to keep any uprising protests from happening.
Meanwhile as an artist living in such challenging political conditions, the daily stress of our environment is definitely affecting me more directly than the confinement due to the virus. Low self confidence mixed with strong emotions and inspirations is how I am feeling. I search for calm spaces and seek the right time that helps me create in the middle of these stormy days—some days are easier than others.
I can see my recent work is quite a mixture of my state of being: anger, frustration and a lot of reflection.
It’s true that we don’t have the luxury of the calm that some artists in other cities are experiencing, nevertheless, I can’t help but being positive because at the end for me everything will have a meaning for sure.”
“It’s definitely another kind of confinement that which we are having in Lebanon. We are seeing the decline of the state on all levels, and we can feel that quarantine and the current political situation are very much interrelated; one is serving the other in a way to keep any uprising protests from happening.
Meanwhile as an artist living in such challenging political conditions, the daily stress of our environment is definitely affecting me more directly than the confinement due to the virus. Low self confidence mixed with strong emotions and inspirations is how I am feeling. I search for calm spaces and seek the right time that helps me create in the middle of these stormy days—some days are easier than others.
I can see my recent work is quite a mixture of my state of being: anger, frustration and a lot of reflection.
It’s true that we don’t have the luxury of the calm that some artists in other cities are experiencing, nevertheless, I can’t help but being positive because at the end for me everything will have a meaning for sure.”
“This corona paralyzed the world and spread fear everywhere but at the same time it made us think about life and the future of humanity.
This time had a good impact on me. I became more productive, spent my days and nights painting to forget the bad news and disconnect myself from this harsh reality. My work became more colorful than ever. I guess this was my refuge ..my only hope...my escape plan. “
“It slowed my work a bit, but then it gave me new opportunities to work on my photography as my major focus. I photographed the corona times and overall spaces definitely.”
انها العودة او الغربة او التواري عن الانظار ، الجائحة جعلت خياراتنا اقل و ابسط كما هو العالم قبل تعقيدنا له ، كوني هاربا من الجائحة و من الحروب قبلها جعلني انطلق نحو السماء بمستوى الغيم تقريباً عالقا بين الفضاء و الارض كما انا عالق في شبه وطن و اعيش شبه حياة.
“I like to keep the door open, even in the summertime. I need to feel some contact with the outside, because it feels like I’m living in a closed box. I am already boxed right now, but I mean…”
"Before having to quarantine I would paint to pause life and stop time from ticking; however now quarantine forced life to stop and with no distractions I was given the chance to explore the life that is already within me. A saying I often find myself repeating during this time "if you can't go outside then go inside" and putting this saying to action I always tried to visualize my feelings by using objects that would represent my current state of mind or heart. Objects I have used included mirrors and breaking them, needles and a thread to stitch, bricks and cement, puzzle pieces, etc."
“This time during quarantine has been somewhat very interesting and a little hard as an artist because I am the type of artist who is inspired by the outdoors a lot and observing people. Most of my projects have come to a halt in terms of on-site work but luckily some are still going through but at a much slower rate. But its allowed me to go inwards and explore art through the internet; which I am thoroughly enjoying - because I don't use social media all too often.
This time has allowed me to pick up where I started from in terms of my three side projects; so I am definitely optimizing and prioritizing my time effectively. I don't feel too affected by the quarantine lockdown but I definitely miss my long hourly walks everyday! My best ideas come from being outdoors and playing. Along at times from even being bored; which I am allowing myself to do more these days.
This situation and time has definitely taught me that nothing is impossible and that there are opportunities even amidst a crisis. It has also taught me to never take simple pleasures in life for granted ie walks and birds singing! I also sincerely appreciate all the artists and art communities gathering together to show our support in such a chaotic and uncertain time.
Right now I am exploring creating a children's book to finish before the end of this year since I will have plenty of time these days! I am also trying to create some optimistic art and posts to uplift the community here in UAE. I am currently collaborating with a art company to put together an initiative to the public which is art-related so quite a few things are happening. There's lots to hope for and look forward to!”
“There is a quote by Francis Bacon the philosopher and it says “Whosoever is delighted in solitude is either a wild beast or a god.”
Am I delighted in this solitude ?
am not sure . .
But I know that I needed a pause and space which came now with this freeze of time .
Am dipped more into color and distributed figures of feelings followed with my brush strokes ,
Also I went more into contemplation and writing which I miss doing and didn’t have time to do it before .
So lets hope its a time to remember in terms of producing and achievements.”
“The lockdown/quarantine period has been hugely inspiring and experimentation all. It has pushed me to take more risks in my work by trying new materials and new styles and techniques. A lot of self reflection too is revealing itself in the work I’m producing at this time.”
Welcome!
Mid East Art is an online art platform founded by art researcher Suzy Sikorski that features a comprehensive coverage of interviews and exhibition reviews of artists from the Middle East. This initiative acts as a window to listen to these artists’ stories, bringing my studio interviews and coffee chats onto the mainstream as a chance to feel a bit closer to these artists in a region that is changing at a rapid pace.
Read more about Mid East Art and Suzy HERE
