In this essay, Algerian writer and researcher Hanaa Khadraoui explores the crossroads of Arab literature, translation, identity, and representation. She asks a timely question: who gets to shape how Arab stories are seen, remembered, and understood by the wider world?

In Morocco, a taxi is more than a way to get from A to B. From colour-coded city cars to the legendary Mercedes-Benz “Merci dix,” discover the unwritten rules, shared journeys, and cultural stories behind Morocco’s unique taxi system.

In this edition of Dear Diary, Sofia A writes about surviving war, losing love, losing work, and the strange guilt of wanting to be happy while the world keeps falling apart.

After years of postponing her life for a “better time,” it took a hairdryer, a trip to Kite Beach, and a box of forgotten oil pastels to make her realize: maybe there will never be a right time.

And maybe that’s exactly why we should stop waiting.

In this Dear Diary entry, our narrator wakes up at 4:30 in the morning and decides to see the world at dawn, without her phone, without a plan, and perhaps without realizing that she is really trying to escape her own thoughts.

In this Dear Diary entry, Aisha Esmaeilzadeh reflects on an ordinary evening by the water in the UAE, and why it became a memory she would eventually understand the importance of.

No celebration. No milestone. Nothing worth remembering, or so it seemed.

But years later, she finds herself thinking about the fading sunlight, the skyline in the distance, the silence between people she loves, and all the ordinary moments we never realize we are going to miss.

Maybe the moments that matter most are the ones we almost forget to photograph.

For more than forty years, Hussain Ali Al Khawaldi served Arabic coffee from the same small stand on Dubai’s Naif Street. Through his photograph, Aisha Esmaeilzadeh reflects on the quiet rituals, familiar faces, and everyday moments that make a city feel like home — and what remains when those places disappear.

Before tattoos became a form of self-expression, they could tell a person’s story-- their tribe, their marriage, their beliefs, and the world they belonged to. From the blue-green markings of Iraqi women to the disappearing tattoos of Amazigh communities, explore the ancient art of daqq and the generations of memory held in the skin.

Contributor Shania Cavalida takes us on a quiet walk through Al Jaddaf before sunrise. Through the unnoticed sounds of birds beneath the Garhoud Bridge, empty buses, creek waters, and the slow arrival of dawn, this story asks us: How is stillness found in a city that is constantly in a rush?

From his Sharjah studio, Antoine Deeb reflects on the questions that shape his practice. On authorship, uncertainty, and the patience required to grow into the artist he is becoming.